Posts Tagged: Roelof Pothuis

re-

Working closely with the I/O team and the support of Gaudeamus, we are currently being devising our upcoming crossover performance under the title re-. In order to test a few performative ideas, which include automated music instruments, myself on stage and

re-

Working closely with the I/O team and the support of Gaudeamus, we are currently being devising our upcoming crossover performance under the title re-. In order to test a few performative ideas, which include automated music instruments, myself on stage and

RE-FUSE music theatre research platform

The RE-FUSE music theatre research platform is an initiative of the Greek National Opera in collaboration with Gaudeamus, that took place throughout 2016 and 2017. On a concept by Giorgos Koumentakis, the GNO artistic director, I was invited as the

RE-FUSE music theatre research platform

The RE-FUSE music theatre research platform is an initiative of the Greek National Opera in collaboration with Gaudeamus, that took place throughout 2016 and 2017. On a concept by Giorgos Koumentakis, the GNO artistic director, I was invited as the

Gaudeamus Residency 2017-19 / Nieuwe Makers

Ιn December 2016 I got the news that I have received the subsidy Nieuwe Makers by the Performing Arts Fund NL, becoming an artist in residence at Gaudeamus in Utrecht; my base from 2017 till 2019. Gaudeamus is more than a new music festival;

Gaudeamus Residency 2017-19 / Nieuwe Makers

Ιn December 2016 I got the news that I have received the subsidy Nieuwe Makers by the Performing Arts Fund NL, becoming an artist in residence at Gaudeamus in Utrecht; my base from 2017 till 2019. Gaudeamus is more than a new music festival;

ALICE

ALICE is a performative installation, inspired by Lewis Carroll’s book Through the Looking-Glass, and What Alice Found There, in which you yourself are both observer and performer. Together with a small group of ‘spect-actors’, you find yourself in a transreal

ALICE

ALICE is a performative installation, inspired by Lewis Carroll’s book Through the Looking-Glass, and What Alice Found There, in which you yourself are both observer and performer. Together with a small group of ‘spect-actors’, you find yourself in a transreal

Spr!tzl

I/O has been selected for Spr!tzl 2018! Spr!tzl is a studio for improbable artforms founded by Silbersee in 2018. I/O took part with the project re-, in collaboration with Gaudeamus and the Nieuwe Makers subsidy. During Spr!tzl Tage 2018, which took place on July

Spr!tzl

I/O has been selected for Spr!tzl 2018! Spr!tzl is a studio for improbable artforms founded by Silbersee in 2018. I/O took part with the project re-, in collaboration with Gaudeamus and the Nieuwe Makers subsidy. During Spr!tzl Tage 2018, which took place on July

The Moon Is Electric

I started working on the idea of this small-scale project in January 2015, with my first visit to Bern to interview Richard Haynes, one of the project’s clarinet players. Interviews with Bas Wiegers, Nora Mulder, Koen Kaptijn, Miriam Overlach and

The Moon Is Electric

I started working on the idea of this small-scale project in January 2015, with my first visit to Bern to interview Richard Haynes, one of the project’s clarinet players. Interviews with Bas Wiegers, Nora Mulder, Koen Kaptijn, Miriam Overlach and

THIEVES

THIEVES is a music theatre performance about the sound of stories; of things that got stolen, things we wouldn’t like to get stolen, things we would like to steal. Next to personal stories by the ensemble and the audience, there

THIEVES

THIEVES is a music theatre performance about the sound of stories; of things that got stolen, things we wouldn’t like to get stolen, things we would like to steal. Next to personal stories by the ensemble and the audience, there